The ‘Leonardo Project’ by Cassiano dal Pozzo. ‘Scientific’ apographs between art, architecture and engineering
Keywords:
Architecture, Engineering, Art, Leonardo da Vinci, Cassiano dal PozzoSynopsis

Publishers: FedOA - Federico II University Press
Series: Storia e iconografia dell’architettura, delle città e dei siti europei
Pages: 174
Language: Italian
Abstract: Leonardo’s codices were only published starting in the nineteenth century. Two centuries earlier, Cassiano dal Pozzo (1588–1657), a patron and bibliophile, undertook a vast enterprise to create his celebrated Paper Museum. As part of this endeavor, he commissioned apographs and anthologies based on Leonardo’s sources then available in Milan, intended for printed projects on themes such as painting and perspective, water, light and shadow, motion and force.The codices at his disposal certainly included Ms. C, now held at the Institut de France in Paris, the Codex Atlanticus, and most of the other manuscripts now preserved in the same Parisian institution. The manuscripts prepared for the first printed edition of the Trattato della Pittura (1651) have enjoyed a distinct historiographical fortune. The others, although most of them are known, remain largely unpublished and have yet to be interpreted in relation to their original sources.This volume focuses on this group of apographs, aiming to study and contextualise them. They raise crucial questions about Leonardo’s role in the scientific and artistic historiography of Europe, explicitly engaging with themes such as the phenomena of light and the representation of bodies and landscapes, mechanical devices designed for civil life, motion and the use of water, the physical and natural sciences, architecture, and engineering.
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