Creativity and artistic creation in music and the arts

Marco Bizzarini; Enrico Careri

doi:10.6093/978-88-6887-260-1

Creativity and artistic creation in music and the arts

Authors

Marco Bizzarini

University of Naples Federico II

https://orcid.org/0000-0001-7339-0941

Enrico Careri

University of Naples Federico II

https://orcid.org/0000-0002-1959-8685

DOI: https://doi.org/10.6093/978-88-6887-260-1

Keywords:

Creativity, art, music, pedagogy, cinema

Synopsis

Publisher: FedOA - Federico II University Press

Series: Musical Clefs

Pages: 225

Language: Italian

Abstract: The work of art is the result of a conscious intellectual act, yet the concrete action of artistic creation comes into play, influencing the work from the moment it takes shape on the staff, on the lines, on the canvas, or on the film. The initial image may retain its strength or transform over the course of the work, but most often, it serves as a stimulus, as little by little, the material becomes dominant. These themes—and their respective implications in the fields of pedagogy, musical composition, visual arts, and cinema, without overlooking the very current questions surrounding artificial intelligence—were the focus of the conference in Udine (June 9-10, 2023), whose proceedings are gathered here.

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Author Biographies

Marco Bizzarini, University of Naples Federico II

Marco Bizzarini is a Full Professor of Musicology at the University of Naples Federico II. He has published, among other works, the monographs Luca Marenzio: the Career of a Musician between the Renaissance and the Counter-Reformation (Ashgate 2003, Routledge 2018), Federico Borromeo e la musica (Bulzoni 2012), and Benedetto Marcello (L’Epos 2006). He is the author of essays widely disseminated internationally and published by Oxford University Press, the Accademia Nazionale di Santa Cecilia, the Polish Academy of Sciences, California University Press, Classiques Garnier, and the Chopin Institute of Warsaw.

Enrico Careri, University of Naples Federico II

Enrico Careri is a Full Professor of Musicology at the University of Naples Federico II. He has published studies on 18th-century Italian music, including a monograph on Francesco Geminiani (Oxford University Press 1993, Lim 1996), and the book Sulla genesi della creazione artistica: una prospettiva musicale (Lim 2019). He has edited the critical editions of Vivaldi's La verità in cimento and Geminiani's The Enchanted Forest. He is a member of the scientific committee of the Luigi Boccherini Study Center, the National Edition of Giovanni Battista Pergolesi, Francesco Geminiani Opera Omnia, and the Rivista Italiana di Musicologia, and he is the director of the Neapolitan Song Study Center.