COSMOPOETICHE

Authors

Silvana Carotenuto, University of Naples L'Orientale; Manuela Esposito, University of Naples L'Orientale; Morgane Halilem, ENSAM; Celeste Ianniciello, University of Naples L'Orientale; Annalisa Piccirillo, University of Naples L'Orientale; Nabila Tavolieri, University of Naples L'Orientale

Keywords:

Feminism, Theory/Praxis, Archive, Writing, Dance, Contemporary Art, Native Cosmologies

Synopsis

UniorPress2.jpg

Publisher: UniorPress

Series: Postcolonial Matters

Pages: 186

Language: Italian

NBN: 

Abstract: Cosmopoetiche is a theoretical and artistic project which elaborates on the question of the ‘Cosmo’ and on the ethics and poetics of some contemporary feminist philosophers. It finds its inspirations in the extraordinary work carried out by the mothers of feminine writing – Virginia Woolf, Hélène Cixous, Luce Irigaray, Adrienne Rich, Clarice Lispector, Donna Haraway, and many other ‘matriarchs’ – and intimately studies the ‘hydrofeminism’ proposed by  Astrida Neimanis, the new dance as theorized by Erin Manning, the radical articulation of corpus infinitum by Denise Ferreira da Silva, gathering many of the other inspirations of thought and praxis that arrive from the feminist ‘cosmic’ involvement.

The volume occupies the ‘un-disciplinary’ spaces where the cosmos is thought, written, and communicated with radical, experimental, and militant emphasis: narrative, contemporary dance, installations, and performances. Its themes of analysis are the question of migration in the Mediterranean, the relationship that the dance is experimenting with the Other; the relations of science and art; the ecofeminist interest which comes from young artists who claim their hybridity and their creative experimentations of gender and race. The volume’s focus is signed by women, and it is written for women, narrating and visualizing different forms of feminine existence. This is the way that the collective text reflects on the Kosmos, its ‘extreme’ figurations (Braidotti), the languages of its hospitality, its interdisciplinary crossings, the ecofeminist inventions which arrive for elsewhere and outside the western world.

Cosmopoetiche is published with the fundings for the promotions of activities of Public Engagement year 2021, Dipartimento di Studi Umani e Sociali, Università di Napoli L'Orientale.

The artist Maria Thereza Alves offers her magnificent ‘acquerello su carta’ The Flood 2013; Morgane Halilem creates the lavisthat accompany Cosmopoetiche.

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Author Biographies

Silvana Carotenuto, University of Naples L'Orientale

Silvana Carotenuto is Ordinary Professor of Literatures in English at the Università di Napoli L’Orientale, where she directs the Centro di Studi Postcoloniali e di Genere (CSPG). Her fields of interest are Deconstruction, ècriture feminine, postcolonial e visual studies. She is the referent of the research Unit M.A.M.  “Matriarchivio del Mediterraneo” (www.matriarchiviomediterraneo.org).

Manuela Esposito, University of Naples L'Orientale

Manuela Esposito owns her PhD in “Studi Culturali e Postcoloniali del Mondo Anglofono” (UniOr). She is a member of the Centro Studi Postcoloniali e di Genere, Università di Napoli “L’Orientale” and she is member of the research Unit M.A.M. Matriarchivio del Mediterraneo. She is a full-time teacher of English at the secondary schools. In 2019 she taught “World Literature” at the school of languages Sant’Anna Institute in Sorrento (NA), during the summer semester of Jackson University FLA.

Morgane Halilem, ENSAM

Morgane Halilem studies architecture at Montpellier, France (ENSAM). Her research concentrates on the relationship between gender studies and postcolonial studies in urban and architectonic environments. She spent a period of research at the Centro di Studi Postcoloniali e di Genere (CSPG) – Unior Naples.

Celeste Ianniciello, University of Naples L'Orientale

Celeste Ianniciello owns her PhD in Studi Culturali e Postcoloniali del Mondo Anglofono (UniOr). She is a member of the Centro Studi Postcoloniali e di Genere - Università “L’Orientale” Naples, and she is part of the research Unit M.A.M.Matriarchivio del Mediterraneo. Her interests focus on visual culture and cultural studies, with particular attention to female/feminist art in postcolonial and Mediterranean area. She is a full-time teacher of English language and culture in secondary schools. She is the author of Migrations, Arts and Postcoloniality in the Mediterranean (Routledge 2018).

Annalisa Piccirillo, University of Naples L'Orientale

Annalisa Piccirillo owns her PhD in Studi Culturali e Postcoloniali del Mondo Anglofono (UniOr). She is a member of the Centro  Studi Postcoloniali e di Genere (UniOr). Due to two Post-doc gained in 2012 e in 2014, she carried out the research project “Nuove pratiche di memoria: ‘matri-archivi’ mediterranei”, analysing the new female performative praxes in the Euro-Mediterranean area. She was Friedrich Hölderlin Guest Professor at Theatre, Film and Media Institute - Goethe University (Frankfort, Germany), and she taught “Storia della danza” at the Università di Salerno, e “English literature” at the Università degli Studi of Basilicata. Her Disseminazioni coreografiche will be published in 2023, by Uniorpress.

Nabila Tavolieri, University of Naples L'Orientale

Nabila Tavolieri is currently attending the PhD program in Studi Internazionali – 'Università di Napoli L’Orientale, Dipartimento di Scienze Umane e Sociali. Her master degreed in "Lingue e Comunicazione Interculturale in Area Euromediterranea", carried out in ‘Critica Letteraria e Letterature Comparate,’ was devoted to “Il ‘pensiero-prassi’ femminile nero e radicale: Sylvia Wynter, Denise Ferreira da Silva, e le sperimentazioni d’arte”.

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Published

March 6, 2023

License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Details about this monograph

ISBN-13 (15)

978-88-6719-268-7

Date of first publication (11)

2023-03-06

doi

10.6093/978-88-6719-268-7