21st Century Art Music in Historical Perspective

Marco Bizzarini

doi:10.6093/978-88-6887-142-0

21st Century Art Music in Historical Perspective: proceedings of the Second Study Session – Naples, 9 November, 2021

Authors

Marco Bizzarini

University of Naples Federico II

https://orcid.org/0000-0001-7339-0941

DOI: https://doi.org/10.6093/978-88-6887-142-0

Keywords:

21st century art music, music historiography, Postmodernism, contemporary music theatre, film music

Synopsis

Publisher: FedOA - Federico II University Press

Series: Musical Clefs

Pages: 200

Language: Italian

NBN: http://nbn.depositolegale.it/resolver.pl?nbn=urn:nbn:it:unina-28379

Abstract: The second volume of the "Musical Clefs" series continues the reflections started in the previous issue dedicated to 21st century art music in historical perspective. It discusses topics such as the impact of social media on musical genres, the current historiography of music, the relationship between film music and the digital universe, contemporary listening, the excesses of our epoch, the new output of string quartet in Italy, Schoenberg's ideological legacy, recent works by Francesco Filidei, Luigi Esposito and Dario Buccino. Dedicated to the memory of the musicologist Antonio Rostagno, this publication presents essays by Emanuele D’Onofrio, Tiziana Pangrazi, Roberto Calabretto, Maria Rossetti, Luigi D’Istria, Francesco Filidei, Luigi Esposito, Pietro Misuraca, Marica Coppola, Enrico Careri. The index of names also includes references to the previous book.

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Author Biography

Marco Bizzarini, University of Naples Federico II

Marco Bizzarini is full professor of Musicology and History of Music at the Department of Humanities of theUniversity of Naples Federico II. He published the monographs Luca Marenzio: the Career of a Musician between the Renaissance and the Counter-Reformation (Ashgate 2003, Routledge 2018), Federico Borromeo e la musica (Bulzoni 2012), Benedetto Marcello (L 'Epos 2006). He is the author of essays internationally disseminated and published by Oxford University Press, National Academy of Santa Cecilia in Rome, Polish Academy of Sciences, California University Press, Chopin Institute in Warsaw.