Corpi d’acqua. La svolta idrofemminista di Astrida Neimanis
Keywords:
hydrofeminis, ecofeminism, écriture feminine, arts, waterSynopsis
Publisher: UniorPress
Series: Postcolonial Matters
Pages: 124
Language: Italian
NBN: http://nbn.depositolegale.it/urn:nbn:it:unina-28055
Abstract: This volume deals with “hydrofeminism”, formulated by the Canadian writer Astrida Neimanis (2017), lecturer in the Department of Gender and Cultural Studies at the University of Sydney: relying on several theoretical backgrounds, such as Hélène Cixous’ and Luce Irigaray’s écriture feminine, Merleau- Ponty’s phenomenology and Deleuze and Guattari’s rhizomatics, this new philosophical paradigm presents an ecologically-engaged notion of ‘embodiment’, which Neimanis analyses from a ‘watery’ perspective, showing how a new understanding of bodies can change our attitude towards the waters of our Earth. Antonella De Vita ‘translates’ this interest for the Italian readership: after exploring in detail the main features of hydrofeminism and explaining their relevance in the context of current debates on new materialism, post-humanism and environmental humanities, the author presents her translation of the introduction of Bodies of Water. Posthuman Feminist Phenomenology (2017), and ‘translates’ Neimanis’ figuration of ‘bodies of water’ into the language of women’s visual art and performance, devotingkeen attention both to international and to Mediterranean artists.
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