The image in the World, the World in the image: new perspectives for an interdisciplinary approach to textual and extra-textual representation
Keywords:
Literature, linguistics, philologySynopsis
Publisher: UniorPress
Series: Research Paper
ISSN: 2724-5519
Pages: 253
Language: Italian
NBN: http://nbn.depositolegale.it/urn:nbn:it:unina-26415
Abstract: The volume L’immagine nel mondo, il mondo nell’immagine: nuove prospettive per un approccio pluridisciplinare alla rappresentazione testuale ed extra-testuale (The Image in the World, The World in the Image: New Perspectives for an Interdisciplinary Approach to Textual and Extra-textual Representation) gathers the proceedings (in Italian and English) of the papers presented during the conference organized by the PhD programme in “Literary, Linguistic and Comparative Studies” of the University of Naples “L’Orientale” on 21-23 October 2015. Drawing on the peculiar character of the PhD programme, which fosters an open dialogue and a fruitful contamination among different disciplines, the volume explores the image as an element that fluctuates between representation and creation and is thus particularly prone to multiple readings and investigations. In the passage from textual to extra-textual reality, the image represents on the one hand a world “in being”, sometimes becoming symbol, while on the other it discloses the generative power inherent in the potential for a world “in becoming”. Considering that nowadays individuals are exposed to constant flows of visual solicitations, the dialectics between the fixity of mimesis and the dynamics of creation continues to offer a fertile ground of scientific inquiry. The aim of this volume is precisely to trace the different trajectories along which this duplicity develops and therefore addresses issues that touch upon the language-through-images nexus, semiotics, the strategies for the construction of textual meaning, and visual culture, among the others.The opening essay by Hans Belting (keynote speaker of the conference and theorist working in the fields of art history, anthropology and media theory) employs anthropological insights for iconological readings, thus providing a precious frame of reference for the subsequent essays composing the volume. Written by former and ongoing PhD students, these essays explore the uses and functions of images as both textual and extra-textual representation in a number of different social and cultural contexts and through different methodological approaches drawing on fields such as archaeology, Italian linguistics and philology, literature (American and African American, Italian, Portuguese, Russian, Spanish, German), cinema, theatre and comics. Bearing in mind not only the variety of perspectives involved in the investigation of the conference theme, but also the wide time span of the individual essays (from Ancient Greece to the contemporary period), the material is ordered chronologically and each essay is followed by an abstract providing a brief description of its specific content.
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