Kings and Clowns: The (non) sense of the tragicomic
Keywords:
tragicomic, literary studies, performative studiesSynopsis

Publisher: UniorPress
Series: Quaderni della ricerca - 7
ISSN: 2724-5519
Pages: 272
Language: English
NBN: http://nbn.depositolegale.it/resolver.pl?nbn=urn:nbn:it:unina-27960
Abstract: The coexistence of ‘tragic’ and ‘comic’ has always expressed the ambivalence inherent in human life, favouring literary contamination and experimentation against any form of academicism and scholasticism. Having become a literary genre – tragicomedy, pastoral drama or heroic-comic poem – between the sixteenth and eighteenth centuries, its presence is attested from ancient Greece to contemporary literature. From Euripides to Ionesco, passing through Shakespeare, Cervantes, Tassoni, Grimmelshausen or Pope, the modes of the tragicomic find a rich variety of intersections and declinations, inaugurating an ‘aesthetics of impurity’ that, though long acknowledged as a trait of the baroque sensibility, is still vivid and vibrant in contemporary culture.
Kings &Clowns starts from this assumption, proposing – as the title taken from Sidney's Defense of Poesie announces – a number of critical perspectives on the languages and genres of the tragicomic. The contributions, organized into three sections and arranged chronologically, address the elusive and paradoxical nature of the tragicomic from different methodological perspectives, offering a lens through which its (non)/sense comes to be investigated in relation to authorship, to the actor’s performative sphere and to its metanarrative and discursive textuality.
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