Kings and Clowns: The (non) sense of the tragicomic

Authors

Rossella Ciocca
University of Naples L'Orientale
https://orcid.org/0000-0003-2237-7944
Bianca Del Villano
Università of Naples L'Orientale
https://orcid.org/0000-0003-4460-4394

Keywords:

tragicomic, literary studies, performative studies

Synopsis

UniorPress2.jpg

Publisher: UniorPress

Series: Quaderni della ricerca - 7

ISSN: 2724-5519

Pages: 272

Language: English

NBN: http://nbn.depositolegale.it/resolver.pl?nbn=urn:nbn:it:unina-27960

Abstract: The coexistence of ‘tragic’ and ‘comic’ has always expressed the ambivalence inherent in human life, favouring literary contamination and experimentation against any form of academicism and scholasticism. Having become a literary genre – tragicomedy, pastoral drama or heroic-comic poem – between the sixteenth and eighteenth centuries, its presence is attested from ancient Greece to contemporary literature. From Euripides to Ionesco, passing through Shakespeare, Cervantes, Tassoni, Grimmelshausen or Pope, the modes of the tragicomic find a rich variety of intersections and declinations, inaugurating an ‘aesthetics of impurity’ that, though long acknowledged as a trait of the baroque sensibility, is still vivid and vibrant in contemporary culture.

Kings &Clowns starts from this assumption, proposing – as the title taken from Sidney's Defense of Poesie announces – a number of critical perspectives on the languages and genres of the tragicomic. The contributions, organized into three sections and arranged chronologically, address the elusive and paradoxical nature of the tragicomic from different methodological perspectives, offering a lens through which its (non)/sense comes to be investigated in relation to authorship, to the actor’s performative sphere and to its metanarrative and discursive textuality.

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Author Biographies

Rossella Ciocca, University of Naples L'Orientale

Rossella Ciocca is Professor of English and Anglophone Literatures and Coordinator of the PhD Programme in Literary, Linguistic and Comparative Studies at the University of Naples ‘L’Orientale’. Her publications include volumes on Shakespeare (Il cerchio d’oro. I re sacri nel teatro shakespeariano, 1987; La musica dei sensi. Amore e pulsione nello Shakespeare comico-romantico, 1999). She has translated and edited The Taming of the Shrew and King John for the Bompiani Edition of Shakespeare: The Complete Works. Her more recent research and teaching interests include Postcolonial Literature and Theory, Colonial History, South Asian, Diasporic and Indian Literatures, Anglophone Literature of Globalization. Her published works include a volume on the literary representations of otherness from early modern to pre-modernist periods (I volti dell’altro. Saggio sulla diversità, 1990), essays on contemporary South Asian writers, Shakespearean appropriations in the Indian Subcontinent, the Partition of India, the city of Mumbai’s fiction, sustainability and ecocriticism in the Global South. She has edited with Sanjukta Das Gupta, Adivasi Histories, Stories, Visual Arts and Performances (Anglistica AION An Interdisciplinary Journal, 19.1, 2015); with Neelam Srivastava the volume Indian Literature and The World (Palgrave-Macmillan, 2017) and has edited with Alex Tickell  Millennium’s Children. New Trends in South-Asian Postmillennial Anglophone Literature (Textus, XXXIII, 3, 2020). 

Bianca Del Villano, Università of Naples L'Orientale

Bianca Del Villano is Associate Professor of English Language and Linguistics at the University of Naples “L’Orientale”. Her research interests span pragmatics, stylistics, cognitive and literary linguistics. She is currently working on (im)politeness in early modern drama and in eighteenth-century scientific texts. Her publications include Using the Devil with Courtesy. Shakespeare and the Language of (Im)politeness (Peter Lang, 2018). She is the Director of the Argo Centre (Studies in Argumentation, Pragmatics and Stylistics).

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Published

December 16, 2021

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This work is licensed under a Creative Commons Attribution 4.0 International License.

Details about this monograph

ISBN-13 (15)

978-88-6719-229-8

Publication date (01)

2021-12-16
Hijri Calendar

doi

10.6093/978-88-6719-229-8

Physical Dimensions