Dibbuk russo: Introduzione, testo, traduzione

Authors

Aurora Egidio
University of Salerno
https://orcid.org/0000-0002-3873-0709

Keywords:

DYbbuk, Russian, Theatre, Stanislavsky, Sulerzhitsky, Censorship

Synopsis

UniorPress2.jpg

Publisher: UniorPress

Series: Archive of Jewish Studies

Pages: 143

NBN: http://nbn.depositolegale.it/urn:nbn:it:unina-25862

Abstract: The book presents for the first time to the Italian public the Russian version of Dybbuk by S.A. An-skij, long believed to be lost, and found in 2001 in the Rare Texts Section of the Theatre Library of St. Petersburg. This text proved to be a particularly important source, since it almost certainly represents the first language and the original version of the drama. Therefore, it allows to reconstruct, finally with accuracy, the textual and linguistic history of Dybbuk, a drama that between 1912 and 1919 sways in a constant state of fluidity and change, transmigrating from one language to another in the search for the perfect formulation and, above all, in the author’s attempt to stage the text. The introduction of the book reconstructs the long, intense and complex negotiation with the Moscow Art Theatre and with the two leading figures who directed it, Stanislavskij and Suleržickij, identifying the changes introduced by An-skij under their suggestions. It also indicates the results left in the text by the intervention of government censorship and inserts the drama in the cultural climate of the time, highlighting a clear reflection of the symbolist poetics.

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Author Biography

Aurora Egidio, University of Salerno

Aurora Egidio is lecturer in Theatre History at the University of Salerno. Her main publications are dedicated to the Russian avant-garde (Aleksandr Tairov e il Kamernyjteatr di Mosca 1907-1922, Bulzoni, 2005; Okno v buduščee. Aleksandr Tairov i stanovlenie ital’janskoj režissury, Moscow, 2016) to Eleonora Duse (“Il Castello di Elsinore”, n. 34, 1999), to Mikhail Shchepkin (actingarchives.it, 2011 and 2017), to the relationship between Italian futurism and the Russian movement (The Collision of Italian and Russian Futurism. Marinetti’s Visit to Russia, Exeter, 2012). She is a member of the editorial board of Acting Archives Review. Rivista di studi sull’attore e la recitazione.

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Published

April 22, 2012

Details about this monograph

ISBN-13 (15)

978-88-6719-011-9

doi

10.6093/978-88-6719-011-9