CaNaMEI. Report 2 - Manoscritti etiopici della città di Roma. La collezione Zanasi-Li Volsi

Authors

Gianfrancesco Lusini
University of Naples L’Orientale
Gioia Bottari
University of Naples L’Orientale
Jacopo Gnisci
Lecturer in Art and Visual Cultures of the Global South
Massimo Villa
University of Naples L’Orientale

Keywords:

Ethiopic Manuscripts, Ethiopian Philology, Ethiopian Codicology, History of Ethiopian Art

Synopsis

UniorPress2.jpg

Publisher: UniorPress

Series: Catalogo Nazionale dei Manoscritti Etiopici in Italia. Reports

Pages: 44

Language: Italian

Abstract: Gianfrancesco Lusini, Gioia Bottari, Jacopo Gnisci, Massimo Villa, Catalogo Nazionale dei Manoscritti Etiopici in Italia, Report 1. Grosseto, Museo Archeologico e d’Arte della Maremma - Museo Diocesano d’Arte Sacra. Tetraevangelo, Napoli, UniorPress, 2020.

This is the first issue of the series "Catalogo Nazionale dei Manoscritti Etiopici in Italia. Reports", presenting a 15th-16th cent. illuminated Gospel-book, preserved in Grosseto, Museo Archeologico e d’Arte della Maremma - Museo Diocesano d’Arte Sacra. The manuscript has been investigated from the threefold point of view of codicology, philology and art history. The recovery operation of the CaNaMEI team included also the restoration work of the precious artefact.

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Author Biographies

Gianfrancesco Lusini, University of Naples L’Orientale

Gianfrancesco Lusini is Full Professor for Gəʿəz and Amharic Languages and Literatures at the University of Naples “L’Orientale”. He is the editor of the journal “Rassegna di Studi Etiopici” and of the series “Studi Africanistici. Serie Etiopica”. Alexander von Humboldt fellow (2001–2002, Hamburg University), and Visiting Professor of the Addis Ababa University (since 2014), he is the director of the “Centro di Studi sull’Africa” at the “Dipartimento Asia, Africa e Mediterraneo” of the University of Naples “L’Orientale”.

Gioia Bottari, University of Naples L’Orientale

Gioia Bottari is a Research fellow at the University of Naples L’Orientale and a member of the CaNaMEI Project. Her research interests include Ethiopian codicology, conservation and restoration, and missionary linguistics. She is particularly interested in the exchanges between Italy and Ethiopia from the medieval period to the early modern era. She is also qualified in the restoration of archival and book holdings, paper artefacts, photographic, cinematographic and digital material.

Jacopo Gnisci, Lecturer in Art and Visual Cultures of the Global South

Jacopo Gnisci is a Lecturer in the Art and Visual Cultures of the Global South at UCL. He previously worked as a Project Curator at the British Museum and as a Getty Fellow and Research Associate at the University of Oxford. He has also held positions at other institutions including the Vatican Library, Hamburg University, SOAS, and The Edith O’Donnell Institute of Art History. He has been awarded several grants, including a TORCH Heritage Seed Fund, contributed to several exhibitions on African and Ethiopian art, and has worked and collaborated with several museums and institutions such as the Dallas Museum of Art and the Bodleian Libraries in Oxford.

Massimo Villa, University of Naples L’Orientale

Massimo Villa is a Research fellow at the University of Naples “L’Orientale”. He has been member of the projects “Ethio-SPaRe” (2014–2015) and “Beta maṣāḥǝft: Manuscripts of Ethiopia and Eritrea” (2016–2018) at the Hiob Ludolf Centre for Ethiopian Studies (HLCES), Hamburg University. He is currently carrying out research activities in the field of the literature of translation from Greek to Classical Ethiopic. He is also involved in research projects aiming at cataloguing several Ethiopic manuscript collections preserved in European institutions. His monograph “Filologia e linguistica dei testi gəʿəz di età aksumita. Il Pastore di Erma” has been published in 2019.

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Published

October 5, 2025

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Details about this monograph

ISBN-13 (15)

978-88-6719-225-0

Publication date (01)

2025-10-05

doi

10.6093/978-88-6719-225-0